Artist Statement
Many mornings I wake with a thunderous anxiety that I have to be in a body, again, for another day. I’ve been uncomfortable in my body for as long as I can remember. Slowly I have learned that I’m here in this body to share the story of my own strange, mythical, incomplete and ongoing recovery. The story is a soup of premonitions, episodes of total collapse and despair, crippling shame and self-rejection, communion with the sacred and an unrelenting desire to alchemize it all into beauty.
This narrative spans generations, gathering ancestors, wars, work, endless kitchens, beds, bathrooms, and babies – the drudgery and wonder of being human. It carries the terror of assault, the pit of adolescent shame, the infant left to cry, the ache of parenting, and the desperation to make everything right. In this story, addiction, abuse, and madness stalk me, yet beauty rises: the impossible magic of love, visits from Mary, the wild tenderness of motherhood, the exhaustion that grinds me down, and the unpredictable turns that fuel my resurrection.
And still the agony seems to seep into everything. It shows up in my children struggling to feel ok. It shows up everywhere around me, in every home, in every lost job, every sick kid, and every dying parent. How do we bear this weight? How do we wash the dishes again, prepare the food again, and be kind again? Where do we find grace? How do we traverse the epidemic of divisions and blend our humanity, wash away thousands of years of humans pitted against each other? I’m trying to begin again softly…rocking the baby, padding through the house, patient, present, available, and tender- ready to hold it - whatever wild ancient residue is always already clinging to the children.
Bio
Emily Orling (she/her) is a visual artist, designer, poet and mother working primarily with paint, clay, fabric and performance. Emily works at the intersection of queer domesticity, motherhood, mental illness, metaphysics, and esoteric spiritual pursuit. Her work is an ongoing process of externalizing the intuitive, shaping the invisible/energetic through the visible/material, and locating the sacred in the profane.
Emily’s writing, thinking, spiritual practice and creative labor infests, alters and seeds the work of her partner César Alvarez. They have been creating experimental and participatory music theater performances in collaboration since 2008. They created a company/collective called Spirits Go Blah in 2024 to develop their collaborative work, including six musicals and the surrounding gallery exhibitions, albums and films. Emily has worked with César in varying roles as co-author, performer, designer, dramaturg, and spiritual adviser on the musicals Egg, FUTURITY, The Elementary Spacetime Show, The Universe is a Small Hat, NOISE, and The Potluck.
Emily’s designs and creative work for theater and dance have been seen at Lincoln Center, Soho rep, Ars Nova, A.R.T., Jacob’s Pillow, Joe’s Pub, Northern Stage and New York Stage and Film. She has worked with students on productions at NYU, Princeton, Sarah Lawrence College and Dartmouth College, and she has participated in residencies at SPACE at Ryder Farm, The Hermitage, and Johnny Mercer’s Writer’s Grove. Emily's work on the off-Broadway production of FUTURITY earned her Lortel and Drama Desk nominations for Set Design.
Solo Exhibitions: Lo River Arts Gallery, 473 Broadway Gallery, Dactyl Gallery.
Group Exhibitions: 95 1/2 Main (Nyack, NY), Cal State Fullerton, Corridor Gallery.
contact: emilyorling@gmail.com
Instagram: @emilyorling
photo by Maria Baranova
Solo Exhibition at A.P.E. Gallery in Northampton, MA
How To Bear the Unbearable Body
the artwork of Emily Orling
With performances created in collaboration with César Alvarez
and additional performances by Fletcher Boote and Katrina Goldsaito
Exhibition dates: October 10 - November 1, 2025